Level 2
Explore the collection room by room

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Central Hall
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Main Vestibule
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Room 1The Carracci Cartoons: Myths in the Making
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Room 2Power, Patronage and Politics: Painting in Florence and Rome 1500–1600
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Room 4
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Room 5City and Court: Northern Italian Painting 1500–1600
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Room 6Design, Colour and Invention: Central Italian Painting 1500–1575
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Room 7Paintings for the Home: Italian Painting 1510–1525
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Room 8Titian (active about 1506–died 1576)
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Room 9Radical Innovation and Rivalry: Painting in Venice 1500–1600
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Room 10Devotion by Design: Italian Altarpieces around 1500
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Room 11
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Room 12The Triumphs of Caesar
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Room 13
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Room 13 Stairs
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Room 14Intellectual Pursuits: Painting at the Northern Italian Courts 1450–1550
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Room 15
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Room 15 Stairs
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Room 16A New Art for a New Nation: Dutch Painting 1600–1700
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Room 17Modern Subjects: Dutch Painting 1600–1700
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Room 17aDeceiving the Eye: Dutch Perspectives around 1650
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Room 18Peter Paul Rubens (1577–1640)
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Room 19Land and Water: Dutch and Flemish Painting 1600–1700
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Room 20A Different View of Flanders: Flemish Painting 1600‒1650
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Room 21Anthony van Dyck (1599–1641)
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Room 22Rembrandt
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Room 23The Cradle of Dutch Painting: Haarlem 1600–1700
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Room 24Still Life: European Painting 1600–1900
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Room 25Still Life: European Painting 1600–1900
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Room 26Intimate Baroque: European Painting 1600–1700
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Room 27The Italianate Landscape: European Painting 1600–1700
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Room 28Flowers: Dutch and Flemish Painting 1600–1700
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Room 29Making Paris a New Rome: French Painting 1600–1700
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Room 30Power and Piety: Spanish Painting 1600–1700
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Room 31Charles I and Henrietta Maria: A Royal Collection 1625–1649
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Room 32Baroque Splendour: Italian Painting 1600–1700
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Room 33City of Pleasure: Painting in Venice 1700–1800
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Room 34A Distinct Style: British Painting 1740–1800
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Room 35Rococo to Revolution: French Painting 1700–1800
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Room 36Claude and Turner
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Room 37The International 18th Century
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Room 38The Academy: European Painting 1800–1850
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Room 39Capturing the Landscape: European Painting 1650–1850
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Room 40Turner, Constable and Corot: British and French Landscape Painting 1800–1860
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Room 41Early Impressionism: French Painting 1860–1880
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Room 42Pastels
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Room 43Van Gogh, Gauguin and Post-Impressionism: French Painting 1880–1905
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Room 44Post-Impressionism: French Painting 1850–1900
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Room 45New Energies: Painting around 1900
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Room 46Room closed
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Room 51The Wonder of Art: What Painting Can Do
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Room 51aThe Burlington House Cartoon
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Room 52Creating Illusion: Netherlandish Painting 1420–1480
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Room 53Divine Encounters: Netherlandish Painting 1480–1520
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Room 54An Age of Transformation: Painting in Northern Europe 1500–1550
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Room 55Lines of Expression: German Painting 1400–1520
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Room 56Looking at Nature: European Painting 1430–1540
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Room 57Wonders of Design: Altarpieces in Florence 1400–1450
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Room 58Lyrical Narrative: Painting in Siena 1300–1500
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Room 59Architecture and Illusion: Painting in Ferrara, Lombardy and the Veneto 1450–1500
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Room 60Ambition and Innovation: Painting in Florence 1450–1500
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Room 61Shaping the Renaissance Ideal: Raphael in Central Italy 1450–1500
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Room 62The Family Palace: Painting in Florence 1400‒1500
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Room 63La Serenissima: Painting in Venice 1450–1500
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Room 64Gold: European Painting 1260–1550
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Room 65Piety and Passion: Italian Painting 1260–1350
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Room 66Piero della Francesca (1415/20–1492)
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Sunley RoomJosé María Velasco: A View of Mexico
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Creative Space
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Portico Entrance